INTRODUCTION

All right. Now we've come to the last of these four charges that I think (?). The real reason that AMJ kicks me out. I am accused of presenting a piece of occasional music (?) serious work of art. Once again, the charge is completely (?). I mean, the standard concert repitory includes rows of pieces that were originally written for specific occasions. Look at Wagner's, sneaking a bunch of musicians (?) his wife's birthday, so he can serenade with the performance (?). And how about the SurpriseSymphony, which Haydn wrote when (?) chamber mates started (?) every morning.

Hey, listen. It's obvious that what really bothers the American Musicological (?) is the fact that I present PDQBach's music at all. I think that anybody who listens to the piece we're talking about here, will recognize that not only it's charming tribute by (?) son, but also a stouting example of the use of polybeat, different voices proceeding in different time signature, the lights of which are not seen again until the 20th century, it's the music of Stravinsky's (?), except that Stravinsky (?) on purpose.

Hey, I think we can bit this (?), Mr. (?). Give me a call.

Oh, by the way the last thing I was talking about is BirthdayOdeToBigDaddyBach.